Welcome to Rock of Japan!---Updated February 6, 2010
I’m planning on closing down Rock of Japan in May.
Rock of Japan has been going for over ten years now. I’ve enjoyed it. I'm now seriously considering shutting down Rock of Japan. When I began Rock of Japan there were almost no sites in English about Japanese rock music. Now there are many. I may miss sharing my opinions with you, but I'm beginning to feel that my job is done. Want to show your appreciation? Take a Rock of Japan T-shirt off my hands. I've reduced the price of the Rock of Japan T-shirt in a kind of going out of business sale. Think of it as a souvenir. If you see me at the shows, say, “Hi!” maybe we can avoid the postage. I plan to continue operating Rock of Japan in the same way as I have been until I shut it down. At the moment I'm planning on pulling the plug in the summer of 2010. I hope you'll keep enjoying it until then, and hope that you'll continue supporting Japanese rock music. I know I will! Thanks for your support! Fred & Ted are gonna miss ya!
Paul Wheeler
BACKGROUND INFO:
This site originates from
New York City. Besides the obvious (CD covers, band logos, and group photos),
anything not credited was written or photographed by myself. The opinions
expressed here are my own. The discographies should not be considered complete.
I regularly neglect to obtain EPs, and almost never pick up remixes or vinyl
releases. The discographies and everything else on this site are intended
to provide information which will help you decide what you might want to add
to your own collections. Various people have helped me with the site: Special
thanks to Hitoshi Toyoda, who helped me from the beginning of this project;
Big thanks to Yuko Oz who has stepped in as my new translator; Thanks to all those whove
offered encouragement; Thanks to the bands, who make it all worthwhile; and
thanks to my good friend Dan Payne who told me I should and could! If you
are interested in advertising on this site, or sending promotional material,
feel free to contact me at the email address above. Ill be happy to
post reviews of any Japanese CDs received in the first six months of their
Japanese or American release. (The artists must be living and working out
of Japan.)
including: The 5,6,7,8s; Thee 50s Highteens; 54 Nude Honeys;
Afrirampo; The Amppez; Asakusa Jinta; Blankey Jet City; Blow Ones Cool; Boom Boom Satellites; Bo-Peep; The Brilliant
Green; The Captains; China Chop; Crawl; Dirtrucks; Ellegarden; The Emeralds; The Ends; Esrevnoc; Firestarter; Flamenco
A Go Go; Gasoline; Gito Gito Hustler; Go Bangs; Grapevine; Green
Milk From The Planet Orange; Guinny Vamps; Gyogun Rends; Hal From Apollo
69; Havana Exotica; Hige; Hoover’s Ooover; Hydro-Guru; Invisiblemans Deathbed; Jet Boys; Jitterin
Jinn; Judy And Mary; Kegawa No Maries; Lin Clover; Ling Toshite Shigure; Lolita No. 18; Love Pigs; Love Psychedelico;
Luminous Orange; Macarthur a Contti; Mad Moisell; Mean Machine; Thee Michelle
Gun Elephant; Milk Crown; Missile Girl Scoot; Molice; Mong Hang; Mono; Mummy The Peepshow;
Akina Nakamori; Papaya Paranoia; Polysics; The Portugal Japan; Prambath; The Predators; Puffy
(aka Puffy AmiYumi); Rocket Jack Vaders; The Rodeo Carburettor; Ron Ron Clou;
Sentimental Bus; Shakalabbits; Six O’Minus; Spandecks; Spoozys; Stone Deaf; Supercar; Supersnazz; Susan;
Tama; Teeny Frahoop; Jun Togawa; Tsu Shi Ma Mi Re;
Up-Tight; Who The Bitch; Yen Town Band; and Zoobombs